Publicacións do GI
Research Group publications
Urbano Lugrís: Vista de A Coruña, 1959
Eduardo Barros Grela (Coordinator)
- POST-URBAN SPACES IN CONTEMPORARY IRISH FICTION
- ATTITUDES AND PERCEPTIONS: THE ROLE OF ARTIFICIAL INTELLIGENCE IN THE TRAINING OF FUTURE SECONDARY SCHOOL FOREIGN LANGUAGE TEACHERS
- YES, INDEED. TRAP AND POLITICS
- CHICANX FUTURIST PERFORMANCES: GUILLERMO GÓMEZ-PEÑA AND THE LA POCHA NOSTRA TERRITORIAL CARTOGRAPHIES
- TRANSMEDIA TRANSPOSITIONS: BEYONCÉ AND ROSALÍA
- READING SPATIAL VIOLENCE AND CULTURAL FANTASIES IN GABBY RIVERA, LILLIAM RIVERA, AND ELIZABETH ACEVEDO
- GENDER SPACES IN ACTION FILMS: THE MAD MAX FRANCHISE
- SPATIAL POWER IN QUENTIN TARANTINO'S REVENGE CINEMA
- INTRODUCTION: CULTURAL STUDIES AND SPACE IN CONTEMPORARY NARRATIVES
- CULTURAL WRITINGS OF THE FAIRY TALE: A SPATIAL READING OF THREE STUDIO GHIBLI PRODUCTIONS
- PAST FUTURE CITYSCAPES: NARRATIVES OF THE POST-HUMAN IN POST-URBAN ENVIRONMENTS
- THE OTHER (IN) SILENCE: TRANSGRESSIVE SUBJECTIVITIES AND EMPTIED SPACES IN CONTEMPORARY LITERATURE AND FILM
- POSTMODERN AND SPECTRAL SPACES IN CONTEMPORARY IRISH & SPANISH FILMS
- GRUPO DE INNOVACIÓN EDUCATIVA DE ESTUDOS INGLESES E IRLANDESES
- LIVING THE NEO-NOIR AUTOPIA: CULTURAL SPACES OF LOS ANGELES IN DRIVE AND NIGHTCRAWLER
- PLACES OF PERFORMANCE: POETRY WRITTEN BY IRISH AND GALICIAN WOMEN
- SPECTRAL CITIES. PAUL AUSTER AND OTHER IMAGINED CITIES IN GREAT URBAN SPACES
- ESPACIALIDAD EN LOS DISCURSOS VISUALES ANGLOSAJONES: DAVID LYNCH
- REFLEXIVIDAD E INTERLENGUAJE EN LA ADQUISICIÓN DE UNA LENGUA EXTRANJERA: ANÁLISIS DE LA PROBLEMÁTICA DE LA ASIMILACIÓN DE LOS VERBOS REFLEXIVOS EN ALUMNOS DE ELE CON EL INGLÉS COMO L1
- BULLYING BULLIES. NARRATIVES OF TERRITORIALITY IN AMERICAN POPULAR CULTURE
- ESPACIOS URBANOS DIGITALES Y PERFORMANCES ESPACIALES, O LA LÓGICA DEL CAPITALISMO NARRATIVO (TARDÍO) EN VIDEOJUEGOS Y NOVELA NEGRA
- SPACE AND CHILDREN IN POST-APOCALYPTIC FILM. THE ROAD AND LES TEMPS DU LOUP
- SEX, PAIN, AND SICKNESS: PERFORMANCES OF IDENTITY THROUGH SPACES AND BODIES
- HALLUCINATORY TOPOGRAPHIES AS MODES OF IDENTITY PRODUCTION IN DOG SOLDIERS
- DYSTOPIAN SCENARIOS IN HETEROTOPIC SPACES. PAUL AUSTER'S MAN IN THE DARK
- IMAGINARY REPRESENTATIONS AND CULTURAL PERFORMANCES OF ECOCRITICISM
- PERFORMANCES OF UNCERTAINTY IN SPACES OF CONTINGENCY: AESTHETIC CONFINEMENT AND MECHANISMS OF SILENCING IN PAUL AUSTER, HARUKI MURAKAMI, AND PARK CHAN-WOOK
- CHICANO VISUALITIES: A MULTICULTURAL REWRITING OF CALIFORNIAN SPATIALITIES
- RE-DEFINING URBAN IDENTITIES IN CONTEMPORARY IRISH FILM(S).
- PERFORMATIVE SPACES: IRISH AND GALICIAN WOMEN POETS
- IMAGINING THE CITY: URBAN SPACE, LITERARY IDENTITIES, AND SUBALTER "PERFORMANCES" IN US CONTEMPORARY NARRATIVE
- SPATIAL RECONCEPTUALIZATIONS AND PARALYSIS IN "THE SISTERS": A CULTURAL STUDIES APPROACH
- LATINA CULTURAL STUDIES. SPATIAL HYBRIDITY AND DIASPORIC IDENTITIES
- LATINX STUDIES: URBANISM, GLOBALIZATION, AND IDENTITY.
- VOICES OF SILENCED CHILDHOODS: TRANSIENCE AS DECENTERING SPATIALITY IN THREE CONTEMPORARY FILMS
- TRANSPOPULAR SPACES: GYPSY IMAGERIES IN THE WORK OF VAN MORRISON
- AMERICAN ANTI-HUMOR AND 21ST CENTURY SPANISH TELEVISION COMEDY
- ESPACIOS DEL CUERPO FEMENINO EN LA NARRATIVA CONTEMPORÁNEA ESCRITA POR MUJERES
- CORPOREAL MONSTROSITIES AND TERATOLOGICAL GRIMACES. MONSTROUS SPACES IN TWENTY-FIRST CENTURY JAPANESE B MOVIES
- ESPACIO Y ESCRITURA DEL CUERPO EN LA LITERATURA CONTEMPORÁNEA
- NARRATIVE SCHIZOPHRENIA IN PYNCHON'S THE CRYING OF LOT 49. OEDIPA MAAS'S SPATIAL RECONFIGURATION THROUGH ENTROPY
- LOS ENRARECIDOS: OSCAR WILDE, RUBÉN DARÍO Y LA CRÍTICA DE LOS ESPACIOS CULTURALES
- MARGINAL SPATIALITIES AND RHIZOMATIC IDENTIFICATIONS: KATHY ACKER'S DISCURSIVE TRANSGRESSIONS
- POÉTICAS DEL DESPLAZAMIENTO ESPACIAL EN CALIFORNIA
- MODERNIDADES TRU(N)CADAS: PARODIAS DE LA RAZÓN
- VIDEO GAMES SQUARED. ESPACIOS HETEROTÓPICOS Y VIDEOJUEGOS EN LA ERA AUDIOVISUAL
- PERFORMATIVIDAD LÚDICA Y ESPACIOS DE GÉNERO
- TRANSFEMINIZING POSTFEMINISM: ACKER RE-WRITES THE TRANS-, BAISE MOI RE-READS THE POST-
- VISUALIDADES QUEER EN LOS ESTUDIOS CULTURALES: CINE SUBALTERNO Y NEW YORK, LA CIUDAD PERMEABLE
- PRODUCCIÓN DE IDENTIDADES EN ESPACIOS OTROS: IMAGINARIOS DEL GITANISMO EN THE VIRGIN AND THE GIPSY
- NARRATIVAS Y ESPACIOS DIGITALES. INTELIGENCIA COLECTIVA EN BLOGS, WIKIS Y PLATAFORMAS DESDE UN ENTORNO CULTURALISTA.
- CAMINOS DE EXCESO Y ESPACIOS DE ENAJENACIÓN. UNA PROPUESTA POÉTICA DESDE LA LOCURA
- POÉTICAS DE (ID)ENTIDAD Y PERFORMANCES SECUNDARIAS: SUBJETIVIDADES (A LA DERIVA) EN HOLLYWOOD
- CULTURAL STUDIES Y NARRATIVAS LATINAS EN ESTADOS UNIDOS: DISCURSIVIDAD DIASPÓRICA Y PRODUCCIÓN DE IDENTIDADES DESDE LA HIBRIDEZ
- INTERTEXTUALIDAD, PARODIA, RISA: REFERENTES HUMORÍSTICOS EN LA LITERATURA POPULAR
- IMAGINARIO DE LAS IDENTIDADES DE GENERO EN EL CÓDICE FLORENTINO DE FRAY BERNARDINO DE SAHAGÚN.
- LA "LITERATURA DE LATINOS" EN ESTADOS UNIDOS: ¿UN DISCURSO FALSIFICADO?
- NARRACIÓN Y DIÁSPORA COMO EJES DEL DISCURSO EN DREAMING IN CUBAN, DE CRISTINA GARCÍA
- TRADUCCIÓN Y TRANSGRESIÓN EN IRVINE WELSH
- LOOKING OUT ON THE FIELDS. REIMAGINING IRISH LITERATURE AND CULTURE
- EVERYONE'S IRISH TONIGHT. IRELAND AND FILM
- AMERICAN SECRETS: THE POLITICS AND POETICS OF SECRECY IN THE LITERATURE AND CULTURE OF THE UNITED STATES
José Miguel Alonso Giráldez:
- THE MENTAL CONSTRUCTION OF REALITY IN JAMES JOYCE
- TODAS AS LINGUAS SON VENTRES DE AMOR INCANDESCENTE
- JOHN CONNOLLY: "EL USO DE LA PALABRA MAL ES UNA FORMA DE ENCOGERSE DE HOMBROS Y JUSTIFICAR NUESTRO FRACASO"
- ENTREVISTA CON MANUEL RIVAS: "A LITERATURA É A CORDA DO FUNÁMBULO"
- 'SO MUCH SMOKE': LA EXPERIENCIA MIGRATORIA DE FÉLIX CALVINO A TRAVÉS DE LA NOSTALGIA AUTOBIOGRÁFICA Y LA ELABORACIÓN LITERARIA DE LA VIDA COTIDIANA
- INTRODUCCIÓN. LA LITERATURA GALLEGA: UNA MIRADA MÚLTIPLE.
- XOSÉ NEIRA VILAS, A GRAN MEMORIA DE GALICIA
- EX-SISTERE: WOMEN'S MOBILITY IN CONTEMPORARY IRISH, WELSH AND GALICIAN LITERATURES
- JAMES JOYCE FALA EN GALEGO CASE CEN ANOS DESPOIS: ALGÚNS ASPECTOS CULTURAIS DA TRADUCIÓN DE ULYSSES Á LINGUA GALEGA
- PANTALEÓN Y LAS VISITADORAS, EL EXTRAÑO VIAJE DE LA UTOPÍA A LA DISTOPÍA.
- MISFITS IN THE HANDS OF DESTINY: PETER CAREY'S ANTIPODEAN CONQUEST IN OSCAR AND LUCINDA
- LA TERCERA REVOLUCIÓN. COMUNICACIÓN, TECNOLOGÍA Y SU NOMENCLATURA EN INGLÉS.
- CONTEMPORARY IRISH POETRY: ACTUAL TERRITORIES AND TERRITORIES OF THE MIND
- FROM SEAMUS HEANEY TO BERNARD O¿DONOGHUE: VISIONS OF REAL AND UNREAL IRELAND
- FISTERRAS ATLÁNTICAS/FINISTERRES ATLÁNTICOS/ATLANTIC FINISTERRES
- THE RECEPTION OF YEATS AND JOHN MILLINGTON SYNGE IN GALICIA AND SPAIN IN THE TWENTIETH CENTURY
- MUSIC IN JOYCE: INTERPRETING THE ROLE OF 'THE CROPPY BOY' IN 'SIRENS' OF ULYSSES
- SCOTTISH AND GALICIAN BACKGROUND IN PEARSE HUTCHINSON'S POETRY: FREEDOM, IDENTITY, AND LITERARY LANDSCAPES
- KATHERINE MANSFIELD Y EL TERRITORIO OCULTO DE LA PROSA
- CUANDO LA OBSESIÓN ES EL LENGUAJE Y EL LENGUAJE ES LA OBSESIÓN
- ON OCCASION OF THE LAUNCH OF "SELECTED POEMS": REVISITING BERNARD O'DONOGHUE'S EARLY POEMS
- LA RECEPCIÓN DE LA MITOLOGÍA EN LA POESÍA IRLANDESA: DESDE YEATS HASTA S. HEANEY Y B. O'DONOGHUE
- THE FESTIVE AND THE TRAGIC IN SEAMUS HEANEY AND BERNARD O'DONOGHUE'S POETRY
- NEW REPRESENTATIONS OF IRISHNESS IN CONTEMPORARY IRISH POETRY: GEORGE WATSON AND SEAMUS HEANEY'S CONCEPT OF 'SENSE OF PLACE' IN NORTHERN IRELAND
- CERVANTES,BORGES Y JOYCE: TRES EN COMPAÑÍA
David Clark Mitchell
- TRANSCULTURALITY AND KEN BRUEN'S CRIME FICTION
- DE MIRADAS Y MEMORIA: LA IRLANDA NEGRA EN LA OBRA DE CHESÚS YUSTE
- "NO VISIBLE SCARS": COERCIVE CONTROL IN IRISH DOMESTIC NOIR IN LOUISE O'NEILL'S AFTER THE SILENCE
- TREVOR JOYCE: TOWARDS THE FASTNESS
- LA NOVELA NEGRA IRLANDESA Y LOS PRIMEROS AÑOS DEL ESTADO LIBRE DE IRLANDA
- IRELAND IN THE 1930S AND 40S IN MICHAEL RUSSELL'S STEFAN GILLESPIE NOVELS
- 'CUÁN LONXE, CÁNTO!' O LEGADO POÉTICO DE SIR JOHN MOORE
- DARK GREEN.IRISH CRIME FICTION 1665-2000
- JOHN BANVILLE'S THE SECRET GUESTS
- A NEW `RHETORIC OF DARKNESS': JOSEPH SHERIDAN LE FANU, JOHN CONNOLLY AND THE IRISH GOTHIC
- 'A COMPANY OF ROGUES': RICHARD HEAD ADN THE IRISH PICARESQUE
- "NEGRA SOMBRA": CRIME FICTION IN THE GALICIAN LANGUAGE
- HARD CASES DARK TIMES: GENE KERRIGAN AND THE MYTH OF THE TIGER
- HUNGER HAS A VERY DISCERNIBLE PRESENCE: IRONY AND MODERNITY IN CONTEMPORARY IRISH TRAVEL NARRATIVE
- DIVERSIDADE DA POESÍA IRLANDESA CONTEMPORÁNEA
- SEARCHING FOR THE SOURCE: NEIL GUNN`S HIGHLAND RIVER
- CALEDONIAN DYSTOPIA: THE GREEN ISLE OF THE GREAT DEEP
- GALICIA: AN IBERIAN CALEDONIA?
- A JOYCE TAE PRICK ILKA PLUKE
- STEPHEN DEDALUS INTO SPANISH AND BACK ENGLISH: GENESIS OF THE TRANSLATIONS
- BURGER OFF: THE CREUZFELD-JACOB DISEASE AND THE LANGUAGE OF SCOTTISH POPULISM.
- IN THE WAKE OF THE TIGER: IRISH STUDIES IN THE TWENTIETH-FIRST CENTURY
- TO BANISH GHOST AND GOBLIN. NEW ESSAYS ON IRISH CULTURE
- BRITISH AND IRISH WRITERS IN THE SPANISH PERIODICAL PRESS(1900-1965)
- SINS OF THE FATHERS:RECENT CRIME FICTION AND THE CHALLENGES OF POLICING A NEW NORTHERN IRELAND
- IRELAND IN THE LITERATURES OF SPAIN
- THE HOUSE IS FALLING: NIGEL FITZGERALD AND 1950S IRISH CRIME FICTION
- RAGE AGAINST THE TIGER: THE SONGS OF DAMIEN DEMPSEY.
- "LEAVING WASN'T ALWAYS AN OPTION": WORK, RELIGION AND GENDER IN THE NOVELS OF DENISE MINA
- EMERALD NOIR. CONTEMPORARY IRISH CRIME FICTION
- MEAN STREET, NEW LIVES: THE REPRESENTATION OF NON-IRISH IMMIGRANTS IN RECENT IRISH CRIME FICTION
- INVESTIGATING THE BODY POLITIC: DYSTOPIAN VISIONS OF A NEW SCOTLAND IN PAUL JOHNSTON'S QUINTILIAN DALRYMPLE NOVELS
- SONS AND DAUGHTERS OF BREOGÁN:SCOTTISH AND IRISH INFLUENCE ON GALICIAN LANGUAGE LITERATURE
- THE THISTLE AND THE WHIN: GALICIA AS A SCOTTISH DOUBLE
- MAMMIES, TROLLOPS, AND RE-CLAIMERS OF THE NIGHT: WOMEN IN PATRICK MCCABE¿S FICTION
- JOYCE COMO MATERIAL DIDÁCTICO: EL EJEMPLO DE "CLAY".
- BLOOM IN DUBLIN; DUBLIN IN BLOOM
- RASGOS DEL HÉROE MITOLÓGICO DE LA EDAD MEDIA EN LAS NOVELAS DE JOHN BUCHAN
- STATION TO STATION: THE DERAILMENT OF IRVINE WELSH'S TRAINSPOTTING.
- THE HATEFUL NOISE OF ROOKS: TOWN AND COUNTRY. ETHEREG'S THE MAN OF MODE AND WYCHERLEY'S THE COUNTRY WIFE
- THE POETRY OF ROBERT BURNS AND THE LANGUAGES OF SPAIN
- "THE VACANT GLITTER": THE REWRITING OF SCOTTISH HISTORY IN NEIL M. GUNN'S. SUN CIRCLE AND BUTCHER'S BROOM
José Manuel Estévez Saá
- LA CULTURA DE LA FRONTERA Y LOS MOVIMIENTOS MIGRATORIOS EN ESTADOS UNIDOS Y LA UNIÓN EUROPEA.
- EMIGRACIÓN, EXILIO E IDENTIDAD.
- FEARFUL AND FEARLESS: EDNA O'BRIEN'S 'THE LITTLE RED CHAIRS' AND 'GIRL'.
- "HOW TO ASSERT BUT NOT CONFRONT?": AN ANALYSIS OF MARY O¿DONNELL¿S 'WHERE THEY LIE' FROM THE PERSPECTIVE OF PLURALISTIC TRAUMA THEORY AND TRANSCULTURALISM.
- MULTICULTURALISM, INTERCULTURALISM, TRANSCULTURALISM, AND THE RELUCTANT FUNDAMENTALIST.
- JAMES JOYCE¿S ECHOES IN CAITRIONA LALLY¿S PORTRAIT OF DUBLIN CITY.
- NUEVAS TIPOLOGÍAS DE (E/IN)MIGRACIÓN EUROPEA Y SU REPRESENTACIÓN EN LA LITERATURA EN LENGUA INGLESA DEL SIGLO XXI.
- A TERRIBLE BEATURY REBORN: THE EASTER RISING CENTENARY COMMEMORATIONS.
- JULIA O'FAOLAIN'S JOYCEAN PORTRAITS OF YOUNG IRISH ARTISTS IN "GODDED AND CODDED".
- FAMINE, GHOSTS AND TRAUMA IN JAMES JOYCE¿S WORKS.
- THE GHOST OF `THE TROUBLES': CONFLICT AND RECONCILIATION IN CONTEMPORARY IRISH LITERATURE.
- JAMES JOYCE'S INFLUENCE ON CONTEMPORARY IRISH WRITERS.
- EL SIGNIFICADO DE LA TIERRA EN LA LITERATURA CAMPESINA EN LENGUA INGLESA: JOHN BERGER.
- ESCRITORAS Y PENSADORAS ANGLOSAJONAS. OTRAS VOCES Y OTRAS LECTURAS (SIGLOS XVII AL XX)
- POLISHED LOOKING GLASSES AND LANTERN SLIDES: THE IMPACT OF JOYCE'S TECHNIQUE ON EDNA O'BRIEN'S SHORT STORIES.
- MUSIC `BY SEA¿S EDGE¿: THE ETHICS AND AESTHETICS OF LIMINALITY IN BERNARD MACLAVERTY¿S GRACE NOTES
- WOMEN'S SPACES: A PHYSICAL AND CULTURAL CONQUEST.
- ESTADOS UNIDOS Y ESPAÑA FRENTE A LA ASOCIACIÓN TRANSATLÁNTICA PARA EL COMERCIO Y LA INVERSIÓN (TTIP).
- JOSEPH O¿CONNOR AND THE WORLD OF THE NEW IRISH MALE
- MÁS QUE ECOS JOYCEANOS EN "TWO MORE GALLANTS" DE WILLIAM TREVOR
- JOSEPH O¿CONNOR AND THE WORLD OF THE NEW IRISH MALE
- A TRUE BELIEVER:JOSEPH O¿CONNOR IMAGINING DUBLIN IN THE SECOND HALF OF THE TWENTHY CENTURY
- LA LECCIÓN DE DELMONT BOLGER: RELEER ULISES A LOS 90
- THE SWEETEST DREAM DE DORIS LEASING COMO EJEMPLO DE DENUNCIA Y DEL NUEVO DEBATE NORTE-SUR.
- NUBECILLAS EN LA OBRA DE JAMES JOYCE Y DE JOSEPH O¿CONNOR